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Casa rural la casina de la fuente





Javier Orive, text description provided by the juegos de la maquinita del bingo architects.
Both areas share a common internal language using vertical wooden slats that establishes a dialogue between them.
Go to my stream.Javier Orive The central exhibition space is made up of a central vacuum inside, which the visitor discovers during the process of immersion in the tour, and once at the access level, has a first glimpse of this space, although very fractional, through the vertical.Jesús Granada Technical spaces Spaces that house the air conditioning systems, security, catering and several others are arranged within a perimeter ring that allows the development of management and maintenance tasks without interfering with the operation of the centre.Jesús Granada, empty Spaces, the cultural centre is structured around two areas that assume different characters: the empty outside space and the central exhibition space.It is 8 metres high and its central area totals around 1,000 sqm.Javier Alcantara, vacaciones en Casa Rural La Casona De Con 766, javier Alcantara, bebida en Casa Rural La Casona De Con 632, javier Alcantara.Sala, montaña, comida, casa, edificio, ver menos, ver más.Jesús Granada Multipurpose Room It poses as versatile space, with a seating system concealed under the floor that allows its use as a diaphanous room or an auditorium for 121 people.We and our partners operate globally and use cookies, including for analytics, personalisation, and ads.It serves as a central element and organises the service spaces, these are arranged around the access, holdem manager small shop, luggage así se gana en las apuestas deportivas storage area and access to the collection.Jesús Granada 26, architects, javier Pérez De La Fuente, Juan Antonio Marín Malavé.Javier Orive, the Interior Spaces, the internal layout of the centre, is conceived as a fluid space, where in a continuous sequence, the visitor takes a journey bringing them closer to the contents on display, preparing them emotionally for the move from the noisy "outside.



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The tours are accessible by lifts that connect the two levels.
De-contextualisation as a means of assessment of an isolated object and its integration in a different type of system connects past and present, reflecting the necessary and fruitful transfer of knowledge and experience between various disciplines.


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